Regina Cannon in the New York Evening Graphic (1925):

    Elinor Glyn's latest comic opera is a nightmare. It must have been inspired by a midnight reading of Dante's Inferno, Three Weeks, Graustark and Scaramouche. It was written, titled, supervised, and super-directed by the Madame herself. You know the answer. Of course it deals with kings, princesses, and dukes, yachts, palaces and revolutions--anything less than royalty Miss Glyn would consider a waste of time....We'd like to tell you what the story is all about, but we only saw the picture through once. We may know more later, because we're sending a complimentary ticket to a girl against whom we have a grudge.

Norbert Lusk in the New York Morning Telegraph (1925):

    ...Entertaining from start to finish. Its pomp and splendor will please those who are easily pleased; its deft touches of characterization, its cynical subtitles and excellent acting will challenge the more critical.

Variety (1925):

     In directing, Conway did not particularly distinguish himself, but it is easy to assume that he may have been working under a handicap.